However, with DMD/Logic once you get to using the brush with the piano roll (Hugely better), and you naturally get used to pressing Ctrl+Spacebar when to prelisten/audition when scrolling down the waves in the logic browser, likewise, it's second nature to hit the Collapse button on/off in the piano view to refresh the piano roll names when i import samples.Not saying that's good, but it's something i've just become accustomed to doing that i've not noticed it to be an issue. I kinda like DMD, what i mean by that is i also use Live with a Push controller and that beats it hands down - there's really no comparison on that front for making beats - particularly in a step sequencer behaviour, Ableton and Push is just ridiculously good for that, no comparison.
Sorry to rant but im just surprised others aren't also complaining about this largely useless part of Logic 10.4.ĭoes anyone else out there agree with me.
DMD has really let me down and in 10.4 its even glitchier than ever.
Ive been an avid user of logic for years and am a professional beat maker, but am now finally considering packing in this software. These are but a few of the annoyances and un logical ways the drum machine designer has been designed. Not fit for Logic's supposed streamlined easy to use software. The drum names also dont go over 25 (which is a limitation of under the hood Ultrabeat) - any above 25 look like the below image with no name and 'null' on the note name.
There is no sample auditioning and when you undo from the undo history window it doesn't undo and reload the the previous patches. 'Drum names' in piano roll often appear wrong/glitched when dragging samples, from a very slow glitchy laggy file browser (especially when playback is enabled) onto drum cells. Yet the most simple of drum machine programming in logic is painful, slow, laggy, glitchy, backwards in 10.4
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